Plundered my soul....
Similar to the Some Girls sessions extra tracks released on 2010's Deluxe Edition, these tracks were recovered from the Exile On Main St vaults and their foundations re-vamped and enhanced by new vocals and some new instrumentation, together with an upgrade in sound quality. It is sort of like a new album, but one that has its roots in those heady days back in 1972. Only two of the out-takes are un-doctored, so to speak - Good Time Women (an early Tumbling Dice) and Soul Survivor.
Many have criticised this decision to effectively re-record this material around its original foundations but not me. Yes, the material they found could have been released as half-finished, scratchy demos, but this gives us an idea as to how good the eventual songs may have sounded, while in effect releasing a new Stones album at the same time. The material, like that for Some Girls, is most impressive.
1. Pass The Wine (Sophia Loren)
2. Plundered My Soul
3. I'm Not Signifying
4. Following The River
5. Dancing In The Light
6. So Divine (Aladdin Story)
7. Loving Cup (alternative take)
8. Soul Survivor (alternative take)
9. Good Time Women
10. Title 5
Pass The Wine (Sophia Loren) is a deliciously bassy, shuffling groove with a lasciviously drawled Jagger vocal. It is clearly enhanced by some latter-day instrumentation, particularly the brass sections, but that it not a problem for me, it is a great track. Quite what the link to Sophia Loren was is unclear. The sound quality on this is by far the most "modern" and it certainly sounds like a new 2010 song as opposed to an old 1972 session leftover.
Plundered My Soul is a mid-pace slow rocker with a fair few hints of the original album about, especially in its slightly muffled, dense muddiness. Mick Taylor added a new guitar part in 2010. The piano-driven blues of I'm Not Signifying is one that kept its original Jagger vocal. You can tell, it has that Exile-era lazy feel to its sound. Jagger added a killer harmonica solo in 2010.
Following The River is a typical piece of slow but powerful Jagger balladry led by piano and subtle backing vocals. It wouldn't have sounded out of place on A Bigger Bang. Dancing In The Light, as with quite a lot of the material, is a bit more 1973-74 sounding than 1972. It is a rhythmic number with a few vaguely funky hints in its backbeat. It has a great guitar solo on it.
The enticing, seductive and mysterious So Divine has slight echoes of Paint It, Black in its guitar riff. It has a very strong Exile feel to it as well as those sixties vibes and Keith Richards recorded a new guitar part it for it. It is one of my favourites from the collection.
Loving Cup is an out-take that originally dated from 1969, three years before Exile. It has a lot of that Memo From Turner late sixties/early seventies sound, particularly on the guitar backing and indeed on Jagger's vocal. There is a sort of seediness it that possibly out-does the original. I love the guitar at the end. Apparently it is two out-takes moulded together, but you can't really tell, well I can't anyway.
Soul Survivor is different in that it features Richards on lead vocal, giving it a sleepier ambience. Good Time Women, while an early version of Tumbling Dice, has musical similarities but pretty much functions as a different song with nearly all different lyrics. Yes, you think of Tumbling Dice when you hear it, but you can still listen to it in its own right. The spacey, psychedelic instrumental, Title 5 actually dates from early 1967 and listening to it, that becomes clear.
This collection of material is certainly not throwaway stuff, it is an interesting and enjoyable addition to the original, classic album, and stands up in its own right, separate from it.