Wednesday, 31 July 2019

George Harrison - Gone Troppo (1982)

That's the way it goes....


Released on 5 November 1982

Running time 39.07

They were funny things, George Harrison albums. After the mammoth offering that was 1970's All Things Must Pass, he seemed to put out an album every three to five years, and it always seemed to me as if he did it because he thought "I was in a band once, I'm a musician, this is what I do...". In the meantime, he explored his other hobbies away from music - movies producing, car racing. mysticism. As more and more years went by since Harrison had been in the Beatles, the less I, personally, viewed him as a musician putting out regular work. Many times I found myself almost forgetting about him, even Ringo was more in my consciousness. So, when this album came out, in 1982, it was a virtual irrelevance. Punk had been and gone, post punk, new wave, two tone, new romanticism were all around. Harrison suddenly remembered he was a musician and collected some old friends - Ray Cooper, Dave Mattacks, Billy Preston, Herbie Flowers, Gary Brooker and Syreeta among others and produced a laid-back summery poppy album full of the synthesised backing that so blighted the eighties. It was a sort of contemporary Beach Boys, lazing in the sun sort of thing that attracted a lot of critical opprobrium.

So, lets listen to it and see if it was as bad as they all said -


1. Wake Up My Love
2. That's The Way It Goes
3. I Really Love You
4. Greece
5. Gone Troppo
6. Mystical One
7. Unknown Delight
8. Baby Don't Run Away
9. Dream Away
10. Circles                                                  

Wake Up My Love is a lively slice of synth-driven pop, with a vague appeal. Harrison's voice sounds remarkably like Traveling Wilburys mate Jeff Lynne on this. It is by far the album's most upbeat and accessible track. That's The Way It Goes features some typical Harrison My Sweet Lord high-pitched guitar and a mid seventies Beach Boys vibe about it. Actually it is not a bad track at all, in a light, airy sort of way. I Really Love You is a catchy fifties "doo-wop" pastiche that would have been fine in 1962, as opposed to 1982. Greece is a pretty throwaway, light poppy number. Material like this and the slightly feeble Gone Troppo were really quite unimpressive.

Mystical One is a laid-back slightly Lennon-esque easy listening slow rock song. Again, it is very much like the stuff The Beach Boys released in the mid-late seventies. Both they and Harrison had seen better days. Unknown Delight also has a Lennon feel to it, a nice bass line and a mournful-sounding vocal from Harrison. Baby Don't Run Away is a bit Beatles-ish but also a bit unmemorable. Oh I guess it's nice enough, I suppose. It just doesn't stick in the mind. Dream Away is another very singalong pop number with a few hidden Harrison-esque bits scattered around here and there. Circles is a typically Harrison plaintive, Beatles-style ballad. His voice, while never great, always carried a bit of a sad quality to it. Harrison would not release another album after this for another five years, popular mythology suggests it is this album that put him off, seeing him lose his muse. We'll never know now.

It is all pleasant enough, with Harrison playful and relaxed as opposed to serious and mystical, but completely culturally inessential when it was released. This album passed me by in 1982, but I can't imagine it appealing to anyone much back then. Listening to it now, it is not as pointless as it would have seemed then, though. It now stands as a bit of a curio. Thoroughly out of time, but strangely interesting, just in places. Overall, though, it has to go down as "one for completists", but, whenever I come across one of those I feel compelled to give it a chance. To be fair, there are a fair few Paul McCartney albums that were certainly no better than this and, on listening to it again, it is growing on me, in an unthreatening, harmless way.