One Man Band/The Way Of The World/You Are Yourself/Thinking/You And Me/It's A Hard Life/Giving It All Away/The Story So Far/When The Music Stops/Reasons/One Man Band (Reprise)
As a teenage Who fan in 1973, I eagerly bought this album from lead singer Roger Daltrey, expecting some Who-style rocking. What I got was an almost folky, country-ish album of acoustically-driven ballads written by the then unknown songwriting partnership of Dave Courtney and Leo Sayer (who would have their first album out later that year Silverbird, using some of this material). Courtney plays piano throughout the album. I played it over and over trying to get into it, pretending I liked it. Endless plays meant that it is seriously embedded in my consciousness and makes me very nostalgic for those innocent days. Actually, now, of course, I really like the album.
The acoustic, folky One Man Band, later a hit for Sayer, introduces the album. A good song it is too.
The plaintive You And Me has Daltrey singing almost falsetto, slightly unconvincingly, but it is a lovely song. Well, for a minute it is, then it suddenly meanders off into a big orchestral ending, with no more vocals. That ended the old “Side One”.
The Story So Far is a chunky, clunky effort at a reggae beat similar to that used by Led Zeppelin on D'Yer Mak'er from the same year. It is a bit clumsy but generally it is an appealing track.
Ride A Rock Horse (1975)
Come And Get Your Love/Hearts Right/Oceans Away/Proud/World Over/Near To Surrender/Feeling/Walking The Dog/Milk Train/Born To Sing Your Song
After the largely Leo Sayer-composed solo debut in 1974’s Daltrey, Roger released a second solo album the following year, although this one was far more muscular and rocking than its dreamy, bucolic predecessor. It has gained little critical attention, either at the time or subsequently, which is a pity as it is not a bad album. Nothing special, but not bad.
Come And Get Your Love is a stomping, rocking piano-driven Russ Ballard song, with hints of Elton John’s upbeat material from the same period. Hearts Right is a robust, soulful rock ballad, full of punchy brass and a nice saxophone solo.
Oceans Away harks back to the previous album on a piano-backed ballad featuring some typical Daltrey vocals. Proud is a solid piece of rock with a vaguely funky edge to it and some chunky riffage. Once more it features some excellent saxophone and Roger’s voice is again very strong. I like this quite a lot, it is sort of like The Who with a pumping brass section.
World Over is lively and appealing in that sort of instantly recognisable mid-seventies way, complete with clunky piano and handclaps. Near To Surrender is an organ-powered big ballad featuring some attractive country style pedal steel guitar. Roger’s voice positively soars on this one. Feeling continues in the same vein along with some winning fuzzy guitar.
Rufus Thomas’s Walking The Dog is covered in infectious, rhythmic fashion. I know it has been covered so many times by so many artists, but Roger does a really good job on it. I remember it from when it came out as a single back in 1975.
Milk Train has Roger going all David Essex on a bit of a hammy, stagey number complete with exaggerated cock-er-nee accent. The album ends on another show-style number in the melodramatic Born To Sing Your Song.
Will I play this album much? Probably not as I have owned it for more years than I care to remember, yet it is only now that I’ve got round to listening to it properly. It is perfectly enjoyable, but not particularly memorable.
Check out Roger Daltrey's legendary work with The Who here :-