Wine, women and loud happy songs....
Released September 1970
Six months after releasing a quaintly charming album of slickly-produced covers of easy listening standards in Sentimental Journey, The Beatles had now split up, and Ringo Starr turned to another of his musical influences - Country and Western. Like its predecessor, this was an essentially harmless, appealing personal labour of love for Starr. The sound quality and production is once again outstanding and the while thing has a laid-back, sleepy flavour to it, heightened by Starr's naturally laconic voice. The latter suited the maudlin country songs perfectly. He had dabbled in C&W while with The Beatles, of course, with Act Naturally, What Goes On and Don't Pass Me By. There are no Starr compositions on here, but the material is performed in the same style. There were a few snooty criticisms at the time that largely stemmed from Starr's limitations as a singer, but you really have to leave that at the door and just enjoy it for what it is. There are echoes of Bob Dylan's Nashville Skyline but the material is even more traditionally C&W than on that album.
2. Love Don't Last Long
3. Fastest Growing Heartache In The West
4. Without Her
5. Woman Of The Night
6. I'd Be Talking All The Time
7. $15 Draw
8. Wine, Women And Loud Happy Songs
9. I Wouldn't Have You Any Other Way
10. Losers' Lounge
12. Silent Homecoming
All the material is largely pretty much as you would expect - laid-back with lots of twangy steel guitar and lachrymose lyrics. Beaucoups Of Blues exemplifies that, (sung as "boocoos" of blues") as does the bassy, walking pace warmth of Love Don't Last Long. Fastest Growing Heartache In The West is a fiddle-backed, steel guitar typical C&W, while Without Her has a big influence from Nashville Skyline all over it. This sort of country rock was so de rigeur in 1970, with Dylan, Crosby, Stills and Nash, The Byrds and America among many artists putting out such stuff.
Woman Of The Night has a big, seventies-style chorus but it has to be said that Ringo's voice isn't great on this one. To be honest, none of the rest of the songs deviate from the furrow being ploughed in any way, although $15 Draw has a bit of a country blues feel about it, and there isn't a huge amount more to be said other than it is, like Elvis Costello's Almost Blue - a pleasant enough venture into Country And Western. Actually, the mould is broken just a tiny bit on Losers' Lounge - an upbeat, honky-tonk-ish number with hints of Elvis to it.
A quick mention has to be made of the two bonus tracks that appear on the latest remaster - Starr's own bluesy Coochy Coochy, which is upbeat and fun, and should have been on what is a short album and a six minute plus instrumental in the lively, bass and organ-driven Nashville Jam. They both augment the original album considerably, giving it a bit more "oomph".
With the release of this album, it had people wondering whether Starr would explore a different genre on every outing. As it happened he took it easy for a few years putting out a couple of successful singles in It Don't Come Easy and Back Off Boogaloo before returning with a more standard rock album in 1973's Ringo.