Jole Blon/This Little Girl/Your Love/Dedication/Daddy's Come Home/It's Only Love/The Pretender/Way Back When/From A Buick 6/Just Like A Child
Dedication is marginally the better of the two albums.
Highlights on the album are Springsteen duetting with Bonds on the catchy, fairground-ish Jole Blon, the equally singalong This Little Girl, the soul of Your Love and an absolutely stonking cover of Jackson Browne’s classic The Pretender. This is by far the best cut on the album, for me.
Also covered is Steve Van Zandt’s big production tear-jerker, Daddy’s Come Home, Dylan's From A Buick 6 is muscular and impressive, while The Beatles' It's Only Love is given a convincing soul makeover. The title track, Dedication, ] is a bit of a goofy rock 'n' roll throwaway, while neither the fifties-esque Way Back When or the plaintive Just Like A Child pull up any trees. Overall, though, it is an enjoyable enough listen every now and again, and a nostalgic one for me.
On The Line (1982)
Hold On (To What You Got)/Out Of Work/Club Soul City/Soul Deep/Love's On The Line/Turn The Music Down/Rendezvous/Angelyne/All I Need/Bring Her Back/Last Time
To be honest, despite the seven Springsteen compositions and one Steve Van Zandt track, this is a bit of a patchy, underwhelming album. The previous one is the better one. The standout tracks are Out Of Work, the soulful Club Soul City, the uplifting, muscular soul of The Box Tops' Soul Deep and the fairground rock of Angelyne.
Springsteen's Rendezvous is competent enough, but was done better by him, performed live on his Tracks box set.
The opener, Hold On (To What You Got) is ok, as is Van Zandt's heartbreaker, Last Time. However, Bring Her Back, All I Need and Love's On The Line are certainly nothing special. Turn The Music Down is a bit of an embarrassment, it has to be said.
One can't help but feel, however, that these are a bunch of Springsteen rejected songs. There were to be no more albums, either, so the venture had run its course.