See mi in me pants and ting....
Released in 1978
Recorded in Jamaica
The first thing that needs to be pointed out about Althea and Donna's one and only album is that it is most certainly not a vehicle for the massive, unexpected number one hit single, Uptown Top Ranking. It is not full of sub-standard "filler", not by a long chalk. It is a vibrant, horn-drenched, rhythmic roots reggae album with musicians like Earl "Chinna" Smith and Tommy McCook involved.
1. No More Fighting
2. Jah Rastafari
3. Make A Truce
4. Oh Dread
5. Uptown Top Ranking
6. The West
7. Jah Music
8. If You Don't Love Jah
10. They Wanna Just
Tracks like No More Fighting and Jah Rastafari are excellent, full of killer horn riffs, sublime percussion and rumbling bass. This is mid-pace roots reggae at its finest. Even the girls' notoriously monotone voices compliment the songs perfectly and make a refreshing change from the usual Rasta male voice.
Make A Truce borrows its introductory bass line from The Temptations' Ball Of Confusion, I am sure, but it soon merges with the crucial horns and intoxicating riddims. A lot of people had a problem with the girls' voices, but personally, I have always found them quite fetching, and very evocative of that 1978 reggae/punk crossover period. I remember spending an evening in a Manchester poolhall in early 1978 and they played Uptown Top Ranking several times during the evening.
This album did not sell well, which was a surprise. I guess the girls suddenly for got that their single success was due to its poppy appeal. They now tried to turn themselves overnight into cultural artists, committed to the whole Jah Rastafari thing, with lyrics to match. Oh Dread, however, was poppy enough, I have to say, but why no more hits came along was a bit of a mystery. Roots reggae material was never hugely successful, however, and female roots artists even rarer. Female reggae artists were expected to do "lovers' rock", so the girls' experiment here was a brave one. A pity it didn't work. You can't help but admire their commitment on the pulsating, "message" song of The West. It sounds great and rocks in a credible, roots fashion. They sing of "repatriating" to "Africa, where there is no pestilence". Ok girls - after you....
All that that said, I still feel this album is a really good roots reggae offering, the sound quality is also excellent, some of the best I have heard from a reggae album of the period. Just check out Uptown Top Ranking again, it never fails to uplift, and the trombone on Jah Music too. Great stuff.