Sunday, 28 October 2018

The Eagles




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The albums covered here are:-

Eagles (1972)
Desperado (1973)
On The Border (1974)
and Hotel California (1976)

Scroll down to read the reviews.

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EAGLES (1972)

1. Take It Easy
2. Witchy Woman
3. Chug all Night
4. Most Of Us Are Sad
5. Nightingale
6. Train Leaves Here This Morning
7. Take The Devil
8. Earlybird
9. Tryin'
10. Peaceful Easy Feeling     

This was The Eagles' debut album, from 1972. It was a pleasant, perfectly easy on the air mix of country and rock with some folky airs floating around. High quality vocals from different members was also a notable thing about the band, who went on to be huge, million selling artists. Ironically for such a slice of Americana, it was apart from Nightingale, recorded in London.
                      
Jackson Browne's piece of upbeat, country rock perfection that is Take It Easy opens the album, with its "well I'm runnin' down the road, tryin' to loosen my load, I got seven women on my mind..." first verse, while Witchy Woman has a killer heavy rock riff and a general bluesy rock feel. It is a powerful cut. that showed the band were not all about Take It Easy style AOR. Folk/country rock was de rigeur in 1972, and this album fitted in well with the genre. Stuff like this was very much the sound of America in 1972, while the UK was in the grip of glam rock, The US music scene was nothing like that. One look at the charts all the time showed that to be the case.

Chug All Night is another pounding rocker, sounding a little like some of Elton's John's rocking material from the period (which possibly helps to explain why Elton did so well in the US). It has a mysterious, funky little bass and quiet vocal part that is sort of endearing. Most Of Us Are Sad is a tender rock ballad and Nightingale gets back to riffy, lively melodic rocking. Incidentally, the sound on this remastered version is excellent, taken from The Complete Studio Recordings box set.

  

Train Leaves Here This Morning is a beautiful country ballad with a gorgeous bass line. Take The Devil is a big, chunky, electric riff-dominated rock song with some excellent sleepy guitar in the middle. Earlybird is a guitar-picking country rocker with distinct airs in its harmonious vocals of Crosby, Stills, Nash & YoungTryin' has another fiery guitar riff and energetic guitar abounds throughout the track. On the whole, this album is more rock than country.

Peaceful Easy Feeling is pretty much what everyone recognises as classic Eagles - twangy, melodic guitar, steady country beat, perfectly pitched slightly mournful vocals and a general feeling of being in a sparsely populated Mid-Western roadhouse at the end of a hot afternoon, with just the barmaid and a few local guys for company.



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DESPERADO (1973)

1. Doolin-Dalton
2. Twenty-One
3. Out Of Control
4. Tequila Sunrise
5. Desperado
6. Certain Kind Of Fool
7. Doolin-Dalton (Instrumental)
8. Outlaw Man
9. Saturday Night
10. Bitter Creek
11. Doolin-Dalton/Desperado (Reprise)     

This, The Eagles' second outing was a mix of vibrant country rockers and finger-picking country folk numbers, with the balance in favour of the former. It really is, in places, quite a heavy rocking album, far more so than many would imagine. Like their debut album, strangely, it was recorded in the cold English winter, in 1972-1973, as opposed to California or Arizona. To add to that expected US West image, though, the group appear on the cover on a grainy photo looking like Old West outlaws.

The opener, Doolin'-Dalton (what did that mean?) was influenced by The Band, and had a real bluesy rock power, despite its country feel in the vocals and theme. Twenty-One was more of a melodic light country folk number. The rock power is back, however, on the gloriously riffy and powerful Out Of Control, a track that showed that The Eagles could really rock, despite their laid-back, easy country rock image. Tequila Sunrise is a track well-known to many, it is melodiously atmospheric, beautifully sung and played and just has that hot, dusty, travelling through South-West USA feeling about it.

  

Desperado is a beautiful, evocative piano and strings backed ballad that kicks in half way through with a huge rock backing and the vocal is just superb. The rocking Certain Kind Of Fool has a real hint of Tom Petty & The Heartbreakers about it (three years before that band came into existence), with echoes of Little Feat and The Doobie Brothers too. A snatch of Doolin'-Dalton (Instrumental) leads from this track into the muscular, solid rock of Outlaw Man is almost Lynyrd Skynyrd-esque in its whiskey-swilling rocking bluesiness. The end of the track has the band really giving it some.

After all that rocking out, it is time to retire to the roadhouse or cantina for a bit of country mournfulness. Saturday Night provides just that with a lovely piece of laid-back country balladry. Bitter Creek is a delightful, tuneful CSNY/America-influenced harmonious slice of country folk.

The album ends with a reprise of Doolin'-Dalton that sounds much more folky and laid-back than the first version of the song and merges into a reprise of Desperado in its solid rock passage. Instead of being the repetition of previous tracks that it would seem to be, it actually works well. The album as a whole, is a largely upbeat, if a bit short, piece of work. The current remastering is good quality as well.



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ON THE BORDER (1974)

1. Already Gone
2. You Never Cry Like A Lover
3. Midnight Flyer
4. My Man
5. On The Border
6. James Dean
7. Ol' 55
8. Is It True
9. Good Day In Hell
10. The Best Of Your Love                                 
After two excellent and varied country rock/harder rock albums, The Eagles were back with a similar mix of styles showing that were never always simply the "easy-listening" laid-back country rockers they have often been perceived to be.

The Jackson Browne-esque Already Gone is a superb piece of of solid West Coast US rock. It is powerful, riffy, melodic and atmospheric. One of the Eagles' best tracks. You Never Cry Like A Lover goes from being hugely powerful to quiet and tender between its verses and chorus. It is both melodious and muscular. Midnight Flyer is a finger-pickin' bluegrass-ish piece of fun. It is lively, jaunty and just enjoyable. It has some excellent bass and drum interplay at the end. My Man is a country tribute to the recently-deceased Gram Parsons. It is a Parsons-esque, laid-back, slide guitar-driven song. It is quite lovely. "We who must remain, go on living just the same..." is a touching refrain.

 

On The Border has that characteristic Don Henley throaty vocal over another solidly grinding, mid-pace rock beat. It is almost funky r 'n' b in its feel. It has an intoxicating instrumental break two-thirds of the way through. James Dean is a corker of an Eagles rocker. Back in 1973 I remember hearing this played by Johnnie Walker on Radio 1 as a teenager. It was the very first time I had heard The Eagles. Funny how one remembers things like that.

Ol' 55 is a classic steel guitar, harmonious "freeways, cars and trucks" ballad that The Eagles did so well. It is actually a Tom Waits cover, but it suits the group perfectly. Is It True is a powerful rock song, again with some great harmonies, but also some copper-bottomed chunky guitar. Good Day In Hell is a wonderful rocker, full of riffs and searing guitars runs and a great rock vocal. The album is ended by the classic, unforgettable country ballad The Best Of Your Love. That track is pretty much perfection. These early Eagles albums are most enjoyable, only short, but varied, and the sound and playing is high quality. They were far more than just a "best of" group. Their albums were great too.



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HOTEL CALIFORNIA (1976)

1. Hotel California
2. New Kid In Town
3. Life In The Fast Lane
4. Wasted Time
5. Wasted Time (Reprise)
6. Victim Of Love
7. Pretty Maids All In A Row
8. Try And Love Again
9. The Last Resort     

This was The Eagles’ huge, multi-million selling album, the moment that they became a massive stadium-filling band. It arrived eighteen months after their previous outing, “One Of These Nights”. The departure of Bernie Leadon had taken much of the band’s initial country flavour from them and rock guitarist Joe Walsh’s arrival saw them taking a big leap from being a country rock band that tried to rock out heavily on occasions to a fully-fledged mainstream rock band. Don Henley also became the band’s main vocalist, featuring on six tracks here. In many ways, The Eagles on this, and on their final album, “The Long Run”, sound like a different band. This material is a long way from Doolin-Dalton and Desperado, it is far more big stadium or arena tour than dusty roadhouse.
                         
Everyone knows the atmospheric Hotel CaliforniaNew Kid In Town is laid-back, melodic rock balladry and the solid Life In The Fast Lane is The Eagles having learnt to rock out, stadium-style.

  

Wasted Time is very much like some of the material on Don Henley’s solo albums. Victim Of Love is a muscular but catchy mid-paced rocker. Both Pretty Maids All In A Row and Try And Love Again are big, powerful rock ballads once more. The latter has Randy Meisner on lead vocals, the former features Joe Walsh. This is classic rock as opposed to country rock. The final track, The Last Resort is a sublime slow romantic ballad, well sung by Don Henley. It is my favourite on the album.

Look, this album is undoubtedly an album that will be remembered as a classic of its genre, but whether it is an actual, bona fide classic is debatable. It is a short album of very listenable, immaculately played rock songs, but does it amount to an album of copper-bottomed classics? Probably not, in my opinion, but there you go. Nothing makes you think “wow”. On the other hand, you can’t deny it has something, particularly the opening and closing tracks. However many times you hear the title track, it always has that atmosphere to it. Overall, though, I prefer the more raw, unpolished feel of their earlier albums.



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