Monday, 4 June 2018

Talking Heads - Fear Of Music (1979)

Think of London, a small city - dark, dark in the daytime....

  

Released August 1979

Recorded at various New York City locations

Running time 40.40

TRACK LISTING

1. I Zimbra
2. Mind
3. Paper
4. Cities
5. Life During Wartime
6. Memories Can't Wait
7. Air
8. Heaven
9. Animals
10. Electric Guitar
11. Drugs                                              

This was the album which saw Talking Heads move away from the guitar-based, quirky vocal three minute song fare of most their first two albums. Here, they began to experiment with “world music rhythms. Nowhere is this better exemplified than on the opener, I Zimbra, with its nonsensical chanted vocals over African-derived tribal percussion sounds and a heavy disco bass. Talking Heads were taking their post punk arty rock to the dance floor. As one the previous album, ex Roxy Music member Brian Eno produced the album. Seven tracks had stark, one-word titles too.

Mind had an insistent, high-pitched guitar sound, another deep rumbling bass and David Byrne’s obsessive, slightly bonkers vocal. Bassist Tina Weymouth described Byrne’s sense of rhythm as “insane but fantastic”. Paper is a love song to a piece of paper, with a killer jangly guitar riff.Two of the album’s cornerstones are the funky Cities about  fascination with urban life - “think of London, a small city - dark - dark in the daytime..”. The tracks has a great groove to it and Byrne’s crazed hollerings - “look over there! A dry ice factory!”. An excellent guitar part too, similar to those used by Eno on David Bowie’s 1978 album , “Heroes”. Then there is the monumental, futuristic Life During Wartime, packed full of post-nuclear imagery and a frightening vision of the future against an addictive disco/rock beat. 

Memories Can't Wait has a shuffling, insistent rumbling bass sound. Listening to it again, it really is great stuff. Introspective, dense, metallic but somehow it gets into your system. Where Byrne’s voice was the dominant thing on the first album, here it is a supplement to the music. An adjunct. Air continues the mysterious ambience that saw the creation of a hundred moody, sombre “post punk” bands. As I re-listen, though, I am struck just how rhythmic it is and how good the bass is. The new remasters help in that, of course. In a way, this album should be paired with Bowie’s “Heroes”. A good thing to do is put both of the albums in a playlist queue and play the tracks at random. Most interesting.

Heaven is just sad, moving and uplifting at the same time. Yet again a peerless bass line. 

Animals has the same plus a cutting lead guitar and a mad chanted vocal ending about “nuts and berries”. Electric Guitar and Drugs end the album in the same metallic, bassy, brooding but electrifying vein.

A-

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