As the cars turn their headlights on....
Released October 1978
Recorded at A & R Studios, New York City
Released in 1978, at the height of punk, following on from the phenomenal worldwide success of the previous year’s “The Stranger”, this was also a top seller. Joel’s mix of New York street tales against a piano and jazzy brass backing taped in to the tastes of those for whom punk never happened. I was a punk in 1978, but I still liked this.
1. Big Shot
3. My Life
6. Rosalinda's Eyes
7. Half A Mile Away
8. Until The Night
9. 52nd Street
The lead-off single the catchy My Life helped to popularise the album, but it was by no means the standout track. That honour, for me, lay with the Phil Spector meets Bruce Springsteen and The Righteous Brothers on the mighty Until The Night. Great atmosphere and a killer chorus. Very New York. Indeed, this is such an NYC album, just as “The Stranger” was, and “Turnstiles” before it, to be honest.
Also impressive is the Latin-flavoured Rosalinda's Eyes and the soulful tones of Half A Mile Away and the atmospheric New York bar-room piano jazz of Zanzibar.
Stiletto is a suitably pointed little number, both lyrically and musically, while Honesty is just a typical Joel heartfelt ballad and Big Shot sees Joel in New York Italian mode, putting down someone who has got above his/herself - “you got the Dom Perignon in your hand and the spoon up your nose”. Joel’s songs, while often thought to be just romantic, often betray a hard, street-wise edge.
52nd Street is a short, almost half-song to finish off this assured album and leaves you wanting more, not that one's appetite hasn't been sated, however.
The clip below is Joel singing "My Life" at Wembley in 1984 (I was there).